Tuesday, September 3, 2019
Comparing the Quest for Self in Jane Eyre and Villete Essay -- compari
Quest for Self in Jane Eyre and Villete à à à "Why is Villette so disagreeable? Because the writer's mind contains nothing but hunger, rebellion and rage." Matthew Arnold, 1853. à Matthew Arnold was certainly forthcoming about the defects of both Charlotte Bronte'sà mind and of her novel. Indeed he was not alone in his reaction to her; Anneà Mozley in The Christian Remembrancer ;in April 1853 wrote in reaction toà Bronte's other great work of "rebellion", Jane Eyre, that she had to makeà "a protest against the outrages on decorum, the moral perversity, theà toleration, nay, indifference to vice which deform her picture of aà desolate woman" (my italics). Mozley even went far enough to label Jane Eyre a "dangerous book", a sentiment which Arnold's comments show that he shared.à Yes both Villette and Jane Eyre are pervaded by "hunger, rebellionà and rage" but it is this very factor which allows Bronte's protagonists toà explore their own identities in, crucially, their own terms. à That both Jane Eyre and Villette are first person narratives is highlyà important. Unlike Catherine Earnshaw, Maggie Tulliver and Isabel Archer, Lucyà Snowe and Jane Eyre are able to define their own stories, and subsequently, toà define themselves. As Tony Tanner stated, Jane's "narrative act is not so muchà one of retrieval as of establishing and maintaining her identity" and this canà easily be extended to Lucy. Indeed in Villette the importance of languageà to proclaim identity, and therefore power, is demonstrated by Lucy's inabilityà to speak French when she arrives in Villette " I could say nothing whatever". Of course the role of teaching Lucy to speak French falls to M. Paulà à demonstrating the masc... ...ion and rage. à BBIBLIOGRAPHY The Bronte's: The Critical Heritage, ed. Miriam Allott (1974). à "Person, Narrative and Identity in Wuthering Heights and Jane Eyre", Tony Tannerà in Teaching the Text ed. S Kappeler. à "Jane Eyre's Interior Design", Karen Chase in Jane Eyre (New Casebook), ed.à Heather Glenn. à "Introduction" to Villette (Penguin,1979), Tony Tanner. à "The Buried Life of Lucy Snowe" and "A Dialogue of Self and Soul: Plain Jane's Progress" in The Mad Woman in the Attic, Sandra M. Gilbert and Susan Gubar (2000). à "Charlotte Bronte as a 'Freak Genius'", David Cecil in Charlotte Bronte: Jane Eyreand Villette (A Casebook Series) ed. Miriam Allot. à "Three Women's Texts and a Critique of Imperialism", Gayatri Chakravorty Spivak in The Feminist Reader ed. Catherine Belsey and Jane Moore (1997).
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